red dirt / red storm
by Ashley Victoria Robinson
Second Star on the Right - Los Angeles, CA
V.26 - WECC- Ventura Hall 
Los Angeles playwright and actor!

red dirt / red storm, written by award-losing playwright, Ashley Victoria Robinson, is a thought-provoking love story offering meta modern examination of humanity's place in the universe. Exploring themes of love, ambition, and existentialism, the play utilizes alternating past/future timeline to delve into the relationship between Sputnik (Ess, for short), the first baby born on Mars, and Clark, an aspiring engineer with a deep longing for Mars and beyond.

Until an explosion happens.

World premiere!

Cast:
Ashley Victoria Robinson, Zach Counsil

Director:
Zach Counsil

 

Show Info:
60 minutes
Genre:
Play-Drama

Audience:
Parental Guidance

Mild Language

Wed July 16 8:00 PM
Fri July 18 8:00 PM
Sat July 19 8:00 PM
Fri July 25 8:00 PM

red dirt / red storm

Second Star on the Right—WECC- Ventura Hall

This alt-history/near-future speculative drama, reminiscent of Apple TV’s For All Mankind, benefits from strong pacing and a rich atmosphere, aided by evocative lighting and audio clips that lend the piece a textured, immersive tone. Yet however intriguing the vague references to the titular red dirt/red storm, overall the show withholds too much context.

While withholding details can provoke curiosity, here it feels more confusing than compelling. The obscurity of what’s truly at stake for the characters weakens the emotional weight of their climactic revelations.

The story’s alternating timelines between the past and a future of Mars’ human colonization can be tricky to navigate, as the performers do little to differentiate the characters’ present and future selves. Rapid-fire, low-volume dialogue further complicates things, witty or poignant though it may be, much of it is difficult to catch or absorb.

Both actors deliver emotionally resonant performances, and there are moments of genuine connection that hint at a deeper theme about legacy and aspiration, but the show buries its big ideas too deep. The audience is left grasping for meaning in a world we haven’t been fully invited into, and the logistics of what exactly the characters are trying to achieve.

With clearer exposition and more distinct temporal markers, this piece could become the kind of moving, genre-blending sci-fi theatre unique to the festival. As it stands, the piece sparks interest but doesn’t quite deliver on its potential.

Ashley Frantik