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The Jenny Revue is a publication of The Jenny Revue Inc., a not-for-profit corporation, funded solely by advertising and donations. It is not affiliated with The Winnipeg Fringe Festival, MTC, or any other organization. Privacy Policy The Jenny Revue is published on Treaty 1 territory, the lands and traditional territory of the Anishinaabeg, Cree, Anisininew, Dakota, and Dene Peoples, and on the Homeland of the Red River Métis. | ||||||||||||||||||
Sansei: The Storyteller
Cloudsway Dance Theatre—The Rachel Browne Theatre
A magnetic performer who beautifully, gently and movingly shares ancestral stories, which include a shameful, yet important-to-remember piece of Canadian history, Japanese internment camps. Powerful.
Audra Lesosky
A Man Walks Into A Bar
Theatre by the River—The Cinematheque
Chilling in its subtle subversion and wrenching in its truth about gender power disparity. The best performances I’ve seen so far this Fringe. An absolute must see.
Audra Lesosky
Alabama Monster
Trey Tatum—Creative Manitoba
[Editor’s Note” This is a shared review with A Confederate Widow in Hell] Both family horror stories, both about malevolent legacies, both by men from the American south, both remarkable in their own way. And they couldn’t be more different from each other. Confederate Widow is an impressively staged and costumed ghost story that unexpectedly makes uncomfortable links between the slave-powered prosperity of the old south and today’s global economic structure. Alabama Monster is stripped down thrilling and moving storytelling – with pitch perfect pace and emotional escalation – the family story is intertwined with the monster tale as an allegory for terrifying inheritances. Both very well worth seeing.
Audra Lesosky
A Confederate Widow in Hell
Willi Carlisle Productions—John Hirsch Mainstage
[Editor’s Note” This is a shared review with Alabama Monster]Both family horror stories, both about malevolent legacies, both by men from the American south, both remarkable in their own way. And they couldn’t be more different from each other. Confederate Widow is an impressively staged and costumed ghost story that unexpectedly makes uncomfortable links between the slave-powered prosperity of the old south and today’s global economic structure. Alabama Monster is stripped down thrilling and moving storytelling – with pitch perfect pace and emotional escalation – the family story is intertwined with the monster tale as an allegory for terrifying inheritances. Both very well worth seeing.
Audra Lesosky
A Girl in the Fridge
Dead Unicorn Ink—Asper Centre for Theatre and Film (U of W)
The story of a couple, trapped in the tropes of a super hero comic book, unable to escape them. Suprisingly funny, and informative of misogynistic tropes in the media. Even with technical issues during the show, it was deeply engaging and interesting. Overall, anyone interested in comic book movies and modern academia is deeply encouraged to see this show.
Josh Fidelak
The ADHD Project
Squirrel Suit Productions—The Cinematheque
Thank you for the personalised acknowledgment of Treaty 1, and the Treaty governing Hamilton. These acknowledgements mean a lot more when they’re discussed, rather than recorded or worse, omitted.
Thanks for the show and thanks for sharing. I used to work with a person with ADHD and I have (non-immediate) family members who have ADHD. As well as highly entertaining, this is an excellent learning experience for the layperson. The insight provides a great window into understanding the neuraldiverse more.
Sometimes provocative, sometimes comical and thoroughly enjoyable, I highly recommend catching this experience.
Ray Yuen
Bleak Expectations, Dickens’ First Draft
Stories Alive—Planetarium
I will start by saying my knowledge level of Dickens’ work is mediocre at best, I could name most of his books and some of the characters, but I am largely unfamiliar with the main plot arcs of all but a couple of his works. This means I am certain I missed a number of references to various plot lines and character in-jokes that were included in this Dickens mash-up. However, even as someone with a more casual acquaintance with the source works, I enjoyed this quick twelve chapter story by Eden Ballantyne and his performance was top-notch in his reading and portrayal of Charles Dickens and a baker’s dozen of his characters.
Murray Hunter
Sherlock Holmes: The Sign of Four
By the Book Productions—Planetarium
Fast-paced (lightning fast!) and energetic, this role-swapping depiction of a mystery rolls through the hour without a chance to take a breath. The solid actors do a great job of telling a complicated story in a short timeframe.
Complicated and fast are the key words here—as a viewer, you cannot afford to miss any part of the dialogue or you miss a huge chunk of the plot. As exhausting as it must be for the actors, it’s equally demanding on the viewer to maintain full attention for the entire hour. If you can though, you’re rewarded with an entertaining and amusing account of the world’s most famous sleuth.
Ray Yuen
Twelfth Night
Indifferently Reformed—MTYP – Richardson Hall
One of Shakespeare’s lighthearted, romantic comedies, featuring a shipwreck, a love triangle and cross-dressing. The company, specializing in Shakespeare, manages to tap into the deeply comedic aspects of Shakespeare, with extremely well done slapstick and timing. For any fan of Shakespeare or comedic theater, this is well worth the watch.
Josh Fidelak
THROWBACK!
Outside In—The Gas Station Arts Centre
Throwback! was an incredibly amazing show that left the crowd on the edge of their seats from beginning to end. World-class circus acts that captivated the audience matched with comedy and an amazing soundtrack that left you in awe. Make sure to add this to your “must see” list as it’s one show you won’t want to miss!
Zachary West


