2025 Editorials | ||||||||||||||||||
Pick Your Target | ||||||||||||||||||
Hanging In There | ||||||||||||||||||
Dragon My Ass | ||||||||||||||||||
Let's Get Things In Order | ||||||||||||||||||
FAQ | ||||||||||||||||||
Jenny Awards | ||||||||||||||||||
Jenny Awards 2024 | ||||||||||||||||||
Jenny Awards 2023 | ||||||||||||||||||
Jenny Awards 2022 | ||||||||||||||||||
30th Year Special Features | ||||||||||||||||||
Jenny Awards Gallery | ||||||||||||||||||
Making Contact Write your comments/reviews. Sign your written submission and include a phone number or e-mail address where you can be reached in case we need clarification (phone numbers etc., will not be printed or given out); and get it to us by one of these methods:
Social Media Please Follow us on Social Media to get updates on Reviews, News and other content about the Winnipeg Fringe.
| ||||||||||||||||||
The Jenny Revue is a publication of The Jenny Revue Inc., a not-for-profit corporation, funded solely by advertising and donations. It is not affiliated with The Winnipeg Fringe Festival, MTC, or any other organization. Privacy Policy The Jenny Revue is published on Treaty 1 territory, the lands and traditional territory of the Anishinaabeg, Cree, Anisininew, Dakota, and Dene Peoples, and on the Homeland of the Red River Métis. |
For You. For Me. For Nicolas.
Flotsam Theatre Co.—Rachel Browne Th. (Crocus Bldg.)
This play gives a unique take on the tribulations of three female roommates trying to make it in Toronto.
A live narrator gives the impression her own personal post-college experiences are more or less represented by all three roommates, which would have made it easier to construct dialogue from the opposing voices in her head—except the narrator isn’t the play’s writer (two of the roommates are).
If this sounds like an all-female episode of Friends, think again. Personal dramas reach boiling points here, and reality trumps happy endings in the girls’ various conflicts and crises.
Watching this felt like those nightmares where everything goes wrong and gets worse and worse before you finally wake up. (“Nicolas” is a boyfriend who died in another driver’s DUI crash.)
But it’s not hard to watch: The actresses’ performances are compelling and create interest. Light comedic lines are sprinkled here and there, and the snappy pacing prevents it from becoming overwrought.
By the end, I wanted to see a sequel to find how these characters ended up.
Beau Hajavitch