| 2026 Editorials | ||||||||||||||||||
| Smashing Success | ||||||||||||||||||
| Knocking Them Down | ||||||||||||||||||
| Are You Ready to Play a Game? | ||||||||||||||||||
| Your Instruction Guid | ||||||||||||||||||
| Jenny Awards | ||||||||||||||||||
| Jenny Awards 2025 | ||||||||||||||||||
| Jenny Awards 2024 | ||||||||||||||||||
| Jenny Awards 2023 | ||||||||||||||||||
| Jenny Awards 2022 | ||||||||||||||||||
| 30th Year Special Features | ||||||||||||||||||
| Jenny Awards Gallery | ||||||||||||||||||
| Making Contact Write your comments/reviews. Sign your written submission and include a phone number or e-mail address where you can be reached in case we need clarification (phone numbers etc., will not be printed or given out); and get it to us by one of these methods:
Social Media Please Follow us on Social Media to get updates on Reviews, News and other content about the Winnipeg Fringe.
| ||||||||||||||||||
|
The Jenny Revue is a publication of The Jenny Revue Inc., a not-for-profit corporation, funded solely by advertising and donations. It is not affiliated with The Winnipeg Fringe Festival, MTC, or any other organization. Privacy Policy The Jenny Revue is published on Treaty 1 territory, the lands and traditional territory of the Anishinaabeg, Cree, Anisininew, Dakota, and Dene Peoples, and on the Homeland of the Red River Métis. | ||||||||||||||||||
A One Human Being, Potentially Comedic Performance of Toy Story…if it was a Musical
Living the Dream—School of Contemporary Dancers
There’s a snake in my boot, and it’s telling me I should have seen one of Perlov’s comedically long-titled Fringe shows years ago.
Beginning with refreshing honesty, Perlov, decked out in a delightfully layered costume, asks the audience for suggestions.
For what? Unsure.
Pretty soon, it doesn’t matter. We all know Toy Story (1995), and we’re all ready to play.
And play we did.
Spin your internal musical theatre wheel, and Perlov’s 15 parodies are pure delight.
That delight isn’t limited to the songs. Every calculated costume change, clever adaptation, and wink of meta-commentary adds to the fun. Sweating through the quick changes and fully committed to every ridiculous premise, Perlov never lets the energy dip.
I won’t be waiting years to buy a ticket again. Perlov proves that a simple premise, wholehearted commitment, and an audience willing to shout suggestions can turn nostalgic source material into an hour of infectious Fringe joy.
To infinity…and next year!
Stephanie Adamov



