Houdini: The Man, The Myth, The Legend

Oddly Entertainment—CCFM Salle Pauline-Boutal

This Fringe, Brett Oddly sets aside his edgy leather shock-stunt image for a besuited interpretation of an early 20th century Harry Houdini. The show features a more theatrical framing narrative than Oddly’s usual act, which dives into the mythos of the iconic magician, and presents illusions and escapes inspired by his North American vaudeville circuit that once brought Houdini through Winnipeg more than a century ago. Aiding that atmosphere is a clever use of historical audio including recordings and an old-timey soundtrack that adds period charm and theatrical texture.

This shift in tone is a notable departure for Oddly, and the ambition behind it is admirable. Providing historical context, he attempts to wrap his feats in storytelling rather than present the standard trick-after-trick format so common in festival magic shows.

Unfortunately, that framing device fades over the course of the performance, feeling largely abandoned by the end. Typically a confident and seasoned performer, Oddly seemed somewhat uneasy picking up the baton of Houdini. The pacing lagged in places, and transitions between storytelling and magic tricks didn’t always land cleanly. Whether it was opening night jitters or the daunting task of inhabiting such an iconic figure, the portrayal lacked the conviction of his usual onstage self. Given his extensive experience and accolades, it’s unlikely that nerves alone were the culprit; more likely, it’s the challenge of reconciling his own voice with Houdini’s legacy.

With more confidence in the theatrical structure, and a bolder embrace of integrating the character with his own, Oddly could shape this performance into something that honours Houdini not just through his tricks, but through the charisma and stagecraft that made him a legend.

Ashley Frantik