| 2025 Editorials | ||||||||||||||||||
| Pick Your Target | ||||||||||||||||||
| Hanging In There | ||||||||||||||||||
| Dragon My Ass | ||||||||||||||||||
| Let's Get Things In Order | ||||||||||||||||||
| FAQ | ||||||||||||||||||
| Jenny Awards | ||||||||||||||||||
| Jenny Awards 2024 | ||||||||||||||||||
| Jenny Awards 2023 | ||||||||||||||||||
| Jenny Awards 2022 | ||||||||||||||||||
| 30th Year Special Features | ||||||||||||||||||
| Jenny Awards Gallery | ||||||||||||||||||
| Making Contact Write your comments/reviews. Sign your written submission and include a phone number or e-mail address where you can be reached in case we need clarification (phone numbers etc., will not be printed or given out); and get it to us by one of these methods:
Social Media Please Follow us on Social Media to get updates on Reviews, News and other content about the Winnipeg Fringe.
| ||||||||||||||||||
|
The Jenny Revue is a publication of The Jenny Revue Inc., a not-for-profit corporation, funded solely by advertising and donations. It is not affiliated with The Winnipeg Fringe Festival, MTC, or any other organization. Privacy Policy The Jenny Revue is published on Treaty 1 territory, the lands and traditional territory of the Anishinaabeg, Cree, Anisininew, Dakota, and Dene Peoples, and on the Homeland of the Red River Métis. | ||||||||||||||||||
This is a Play
Theatre & Play—MTC UptheAlley
I have always regarded Oscar Wilde’s The Importance of Being Earnest as a bulletproof play: no matter who performs it, it is structured and written so well that it will entertain an audience. I can now add This is a Play to that list.
This is a Play is a play within a play, where we learn the actors’ thoughts as they work through a mediocre production.
The company that presents this play, Theatre & Play, makes some unfortunate choices, and they are not professional-quality actors. Still, they drew constant laughter from their audience.
Their first mistake was spelling out the premise in great detail in the program. This betrays a lack of respect for their audience, and robs them of the joy of discovery. Second, they had the composer character on stage instead of a voice-over, which slowed down the show. And finally, the pace of both plays is equally slow. The MacIvor part should be crisp and clean, but it is as slow and overwrought as the turkey the actors are supposed to be presenting.
Even with these problems, I suspect the audience would have gone home happy. I just wish they had seen some of the other productions of This is a Play that I’ve seen.
Kevin Longfield


