| 2025 Editorials | ||||||||||||||||||
| Pick Your Target | ||||||||||||||||||
| Hanging In There | ||||||||||||||||||
| Dragon My Ass | ||||||||||||||||||
| Let's Get Things In Order | ||||||||||||||||||
| FAQ | ||||||||||||||||||
| Jenny Awards | ||||||||||||||||||
| Jenny Awards 2024 | ||||||||||||||||||
| Jenny Awards 2023 | ||||||||||||||||||
| Jenny Awards 2022 | ||||||||||||||||||
| 30th Year Special Features | ||||||||||||||||||
| Jenny Awards Gallery | ||||||||||||||||||
| Making Contact Write your comments/reviews. Sign your written submission and include a phone number or e-mail address where you can be reached in case we need clarification (phone numbers etc., will not be printed or given out); and get it to us by one of these methods:
Social Media Please Follow us on Social Media to get updates on Reviews, News and other content about the Winnipeg Fringe.
| ||||||||||||||||||
|
The Jenny Revue is a publication of The Jenny Revue Inc., a not-for-profit corporation, funded solely by advertising and donations. It is not affiliated with The Winnipeg Fringe Festival, MTC, or any other organization. Privacy Policy The Jenny Revue is published on Treaty 1 territory, the lands and traditional territory of the Anishinaabeg, Cree, Anisininew, Dakota, and Dene Peoples, and on the Homeland of the Red River Métis. | ||||||||||||||||||
Snake Oil
Black Sheep Theatre—Rachel Browne Th. (Crocus)
One of the great things about the Fringe is that you get to meet a sampling of theatre artists from across the country. This year I am fortunate to be billeting Zach Counsil, who performed in what I would call the definitive production of Daniel McIvor’s Wild Abandon a few years ago.
This year he and Hannah Gibson-Turner are offering us Jayson McDonald’s Snake Oil. It will cure what ails you, and it will take you into eternity with a smile on your face.
Counsil does a verbal tour-de-force as the smooth-talking pitchman, and Gibson-Turner is charming as his not-so-able-and-willing assistant.
It starts out as farce and at just the right moment takes a quick but sure step into darkness.
I’d like to have seen this play in a thrust stage environment, but that’s a small thing. Snake Oil delivers everything it promises.
Kevin Longfield


