| 2026 Editorials | ||||||||||||||||||
| Smashing Success | ||||||||||||||||||
| Knocking Them Down | ||||||||||||||||||
| Are You Ready to Play a Game? | ||||||||||||||||||
| Your Instruction Guid | ||||||||||||||||||
| Jenny Awards | ||||||||||||||||||
| Jenny Awards 2025 | ||||||||||||||||||
| Jenny Awards 2024 | ||||||||||||||||||
| Jenny Awards 2023 | ||||||||||||||||||
| Jenny Awards 2022 | ||||||||||||||||||
| 30th Year Special Features | ||||||||||||||||||
| Jenny Awards Gallery | ||||||||||||||||||
| Making Contact Write your comments/reviews. Sign your written submission and include a phone number or e-mail address where you can be reached in case we need clarification (phone numbers etc., will not be printed or given out); and get it to us by one of these methods:
Social Media Please Follow us on Social Media to get updates on Reviews, News and other content about the Winnipeg Fringe.
| ||||||||||||||||||
|
The Jenny Revue is a publication of The Jenny Revue Inc., a not-for-profit corporation, funded solely by advertising and donations. It is not affiliated with The Winnipeg Fringe Festival, MTC, or any other organization. Privacy Policy The Jenny Revue is published on Treaty 1 territory, the lands and traditional territory of the Anishinaabeg, Cree, Anisininew, Dakota, and Dene Peoples, and on the Homeland of the Red River Métis. | ||||||||||||||||||
A Woman’s Guide to Romance Novels
Holly M. Brinkman—The Rachel Browne Theatre
My partner published a book a few years ago about how to write a mystery novel. After I (proof)read it, I realised how formulaic mystery novels and movies are. Now, every time I watch or read a mystery, I see the recurring components emerge.
Holly Brinkman’s show essentially does the same thing, but swaps out the genre “mystery” for “romance.”
The four components are:
1. Meet cute
2. Development (middle)
3. Crisis
4. Happily against all odds
Brinkman goes through each of the components and creates amusing story samples during the process.
I saw her show last year and had lots of fun with how she wove through the plots. This year feels a little more fragmented than in past but it doesn’t diminish the fun of the outing. Curiously, Brinkman uses a laptop and gadgets to control her music and screens, which contributes to the fragmentation and fracturing of the continuity. I’m curious as to why she wouldn’t let the Tech see to all these aspects.
Ray Yuen



