From Fringe 2018

Let’s Prank Call Each Other

Zach Dorn—Son of Warehouse

With multiple streams of media for his puppetry, the set looks like a deck at NORAD, rather than a stage at Fringe. With some many modes, I wondered how he’s going to be able to navigate through them all to deliver a smooth and refined package.

He couldn’t.

The presentation looks fractured at multiple points, leaving the collective un-cogent. There is great potential here for a visually stunning show but he’s too ambitious in what he can juggle. There’s no discernable plot to the story, leaving a miscellany of video technology.

Ray Yuen